Broadcast TV post-production

A daily magazine or a weekly news show runs on a fixed transmission time, and post has no slack. A Nexis or local RAID that fails mid-week takes the whole edit down at the worst moment, and recovering it eats the hours the schedule does not have. Multiple editors cut different segments of the same episode in parallel, so they all need the same rushes at once, and the archive grows every single day: a season crosses 50 TB without anyone noticing. Avid-native cloud options are still limited and priced for large facilities, not for a lean broadcast team.

A broadcast post workflow needs storage that does not go down on transmission day, that every editor can reach at once, and that grows with the season without a hardware order.

Sanbila keeps the MXF archive in cloud storage with a backup copy, so there is no single Nexis box to fail on transmission day, and the cloud serves the media across a global network so a remote or second-site editor is not waiting on one building's uplink. Each editor cuts on light DNxHR LB proxies that Sanbila writes into the Avid MediaFiles/MXF/1/ structure Media Composer auto-discovers, and at conform the native binary AAF parser lets Smart Relink switch the timeline clips to the real MXF streamed from the cloud for a full-quality master, no XML export and no overnight restore. The Enterprise plan holds 25 TB and bills $20 per TB per month beyond that, so a season-long archive that crosses 50 TB scales by the terabyte instead of by the storage node, and the whole team shares one workspace with per-role permissions.