Sanbila Blog
Practical guides on proxy editing, cloud streaming, NLE integrations and modern video workflows.
How to edit 8K RED (R3D) footage on a laptop
Why R3D chokes a laptop, the two ways to fix it, and how to keep full 8K for the final export.
ProRes vs DNxHR vs H.264 for editing proxies
How the three proxy codecs compare on size, speed and NLE support, and which one to pick for your editor.
How to create editing proxies with FFmpeg
Copy paste FFmpeg commands for H.264, ProRes and DNxHR proxies, the few flags that actually change the output, and how to batch a folder of rushes.
Google Drive to Premiere or Resolve in one click
A freelance editor receives a Drive share with 150 GB of rushes on Monday morning. The Sanbila flow saves the half day usually spent on the download.
Proxy or cloud streaming in DaVinci Resolve
The colorist wants the originals. The editor wants proxies. Here is how to stop choosing one over the other.
Proxy editing in Premiere Pro: the 2026 complete guide
A practical look at proxies in Adobe Premiere Pro, the codec trade offs, and what to do when the native flow gets in your way.